Mariposa, Los Angeles
Mariposa opens its Los Angeles space in the historic Hollywoodland Realty building on Beachwood Drive with a new body of ceramic sculptures by Peter Schlesinger (b. 1948, Los Angeles). The exhibition marks Schlesinger’s first solo presentation in the city in over a decade – and a return to where his artistic life first began.
Across his practice, Schlesinger folds mythology and fable into his forms: octopi, trees, birds, and vessels that nod to ancient archetypes alongside biomorphic, almost dreamlike shapes. Trained initially as a painter, he turned to ceramics in the 1980s after a formative period in London studying at the Slade and photographing cultural figures including Cecil Beaton, Ossie Clark, Amanda Lear, and Andy Warhol. His sculptures carry that lineage forward – balancing modernism and antiquity, bohemian instinct and formal restraint, surface play and sculptural weight.
Through Apr 4, 2026
Thaddaeus Ropac, Paris
Tomorrow: Yes fills the vast Paris Pantin space with a full-scale presentation by Erwin Wurm, marking his first solo exhibition to occupy the entire venue. Anchored by two monumental installations – a compressed schoolhouse and a six-metre-tall bent sailing boat – the show leans into Wurm’s talent for destabilizing the familiar.
Spanning marble, bronze, and aluminium, and including works from his participatory One Minute Sculptures, the exhibition gathers many pieces shown here for the first time. Together, they expand sculpture beyond objecthood, bending it toward the abstract and intangible – where humor, distortion, and physical improbability quietly rewrite the rules.
Through Apr 11, 2026
Tate Britain, London
The first major solo exhibition of Hurvin Anderson brings together more than 80 paintings spanning his career – from early student works to new, previously unseen canvases. Across saturated landscapes and interior scenes, Anderson moves between the UK and the Caribbean, tracing a life shaped by migration and inheritance. Born in Birmingham to Jamaican parents, he has long explored questions of belonging, memory, and diaspora. Barbershops, family figures, and layered geographies recur, sometimes collapsing one place into another, underscoring the fragility of recollection and the complexity of cultural identity.
Atmospheric and precise, the paintings draw from the lineage of British landscape while reframing it through lived experience. Together, the exhibition affirms Anderson’s position as one of the defining painters of his generation.
Mar 26 – Aug 23, 2026
MEP, Paris
American Images surveys more than three decades of work by Dana Lixenberg, bringing into focus a deeply human portrait of the United States. Celebrities and everyday individuals are met with the same attentiveness, each rendered with a dignity that resists spectacle.
Born in Amsterdam and arriving in New York in 1989, Lixenberg approaches America with the clarity of an outsider – probing the mythologies of the American Dream while building a photographic language rooted in empathy, trust, and sustained engagement. The result is a quiet but persuasive counter-narrative, one that feels as relevant now as ever.
Feb 11 – May 24, 2026
Karma, New York
In the quietly exacting paintings of Dike Blair, time seems to pause. Windowsills, airport lounges, elevators, and construction sites unfold as tightly framed moments, with recent oils developed over the past two years turning attention toward surfaces, thresholds, and the act of looking itself.
Rather than settle into a single narrative, the works build meaning through repetition and subtle variation – drinks, flowers, screens, and architectural edges echo across compositions, while rectangles stack within rectangles. Interior spaces dominate, pared back and solitary, with art-historical murmurs from Piet Mondrian to Pierre Bonnard. Even a paused frame from La Dolce Vita by Federico Fellini appears as another image-within-an-image – a reminder that for Blair, painting is as much about perception as it is about place.
Feb 19 – Mar 28, 2026
NOON Gallery, Los Angeles
Where there is Great Love there are Always Great Miracles brings together sculptures, paintings, and drawings by David Shull, marking the artist’s third exhibition with the gallery. Begun in 2002 and developed over two decades, the works reflect Shull’s sustained interest in sentimentality, intimacy, and the quiet sincerity of everyday materials.
Balancing tenderness with a subtle wit, familiar objects are recast as vessels for memory and emotional charge. The exhibition is accompanied by a book created with Jack Doroshow, whose handwritten contributions extend the project into a narrative shaped by friendship, exchange, and shared sensibility.
Feb 20 – Apr 4, 2026
951 Chung King RoadLos Angeles, CA 90012
Mariposa, Los Angeles
Mariposa opens its Los Angeles space in the historic Hollywoodland Realty building on Beachwood Drive with a new body of ceramic sculptures by Peter Schlesinger (b. 1948, Los Angeles). The exhibition marks Schlesinger’s first solo presentation in the city in over a decade – and a return to where his artistic life first began.
Across his practice, Schlesinger folds mythology and fable into his forms: octopi, trees, birds, and vessels that nod to ancient archetypes alongside biomorphic, almost dreamlike shapes. Trained initially as a painter, he turned to ceramics in the 1980s after a formative period in London studying at the Slade and photographing cultural figures including Cecil Beaton, Ossie Clark, Amanda Lear, and Andy Warhol. His sculptures carry that lineage forward – balancing modernism and antiquity, bohemian instinct and formal restraint, surface play and sculptural weight.
Through Apr 4, 2026
Thaddaeus Ropac, Paris
Tomorrow: Yes fills the vast Paris Pantin space with a full-scale presentation by Erwin Wurm, marking his first solo exhibition to occupy the entire venue. Anchored by two monumental installations – a compressed schoolhouse and a six-metre-tall bent sailing boat – the show leans into Wurm’s talent for destabilizing the familiar.
Spanning marble, bronze, and aluminium, and including works from his participatory One Minute Sculptures, the exhibition gathers many pieces shown here for the first time. Together, they expand sculpture beyond objecthood, bending it toward the abstract and intangible – where humor, distortion, and physical improbability quietly rewrite the rules.
Through Apr 11, 2026
Tate Britain, London
The first major solo exhibition of Hurvin Anderson brings together more than 80 paintings spanning his career – from early student works to new, previously unseen canvases. Across saturated landscapes and interior scenes, Anderson moves between the UK and the Caribbean, tracing a life shaped by migration and inheritance. Born in Birmingham to Jamaican parents, he has long explored questions of belonging, memory, and diaspora. Barbershops, family figures, and layered geographies recur, sometimes collapsing one place into another, underscoring the fragility of recollection and the complexity of cultural identity.
Atmospheric and precise, the paintings draw from the lineage of British landscape while reframing it through lived experience. Together, the exhibition affirms Anderson’s position as one of the defining painters of his generation.
Mar 26 – Aug 23, 2026
MEP, Paris
American Images surveys more than three decades of work by Dana Lixenberg, bringing into focus a deeply human portrait of the United States. Celebrities and everyday individuals are met with the same attentiveness, each rendered with a dignity that resists spectacle.
Born in Amsterdam and arriving in New York in 1989, Lixenberg approaches America with the clarity of an outsider – probing the mythologies of the American Dream while building a photographic language rooted in empathy, trust, and sustained engagement. The result is a quiet but persuasive counter-narrative, one that feels as relevant now as ever.
Feb 11 – May 24, 2026
Karma, New York
In the quietly exacting paintings of Dike Blair, time seems to pause. Windowsills, airport lounges, elevators, and construction sites unfold as tightly framed moments, with recent oils developed over the past two years turning attention toward surfaces, thresholds, and the act of looking itself.
Rather than settle into a single narrative, the works build meaning through repetition and subtle variation – drinks, flowers, screens, and architectural edges echo across compositions, while rectangles stack within rectangles. Interior spaces dominate, pared back and solitary, with art-historical murmurs from Piet Mondrian to Pierre Bonnard. Even a paused frame from La Dolce Vita by Federico Fellini appears as another image-within-an-image – a reminder that for Blair, painting is as much about perception as it is about place.
Feb 19 – Mar 28, 2026
NOON Gallery, Los Angeles
Where there is Great Love there are Always Great Miracles brings together sculptures, paintings, and drawings by David Shull, marking the artist’s third exhibition with the gallery. Begun in 2002 and developed over two decades, the works reflect Shull’s sustained interest in sentimentality, intimacy, and the quiet sincerity of everyday materials.
Balancing tenderness with a subtle wit, familiar objects are recast as vessels for memory and emotional charge. The exhibition is accompanied by a book created with Jack Doroshow, whose handwritten contributions extend the project into a narrative shaped by friendship, exchange, and shared sensibility.
Feb 20 – Apr 4, 2026
951 Chung King RoadLos Angeles, CA 90012