David Kordansky Gallery, Los Angeles

ROYGBIV sees Evan Holloway revisit one of his most recognizable sculptural forms while introducing a new body of work that feels both playful and quietly philosophical. Large-scale aluminum head sculptures – each fitted with a functioning lightbulb for a nose – appear alongside balancing tabletop works composed of movable steel elements resting on ceramic bases.

Part retrospective gesture, part open-ended inquiry, the exhibition reflects Holloway’s ongoing fascination with form, perception, and the strange emotional life objects can accumulate over time. Humorous, awkward, and oddly alive, the works feel less fixed than in conversation – with art history, with viewers, and perhaps even with themselves.

May 16 – Jun 20, 2026

Gagosian, Los Angeles

The first exhibition of work by Frank Gehry since his passing in 2025 brings together a focused selection of sculptures shaped by the architect’s long fascination with animal forms. Realized in collaboration with Gehry’s family and designed by the Gehry studio, the presentation unfolds across a series of playful yet materially complex works.

Among them are the life-size Bear with Us (2014), the striking Untitled (Black Crocodile New York) (2023), and Fish on Fire (2023) – the final fish sculpture Gehry produced in copper. Together, the works reveal another side of his practice: intuitive, sculptural, and driven by the same restless experimentation that defined his architecture.

May 14 – Jun 27, 2026

Sprüth Magers, Los Angeles

10 Years LA! marks a decade of Sprüth Magers in Los Angeles, reflecting on ten years of exhibitions that have brought together major international voices alongside the gallery’s deep ties to the city’s own artistic community.

Spanning both the Wilshire Boulevard gallery and a former Sizzler restaurant nearby, the exhibition unfolds across painting, sculpture, film, and video, tracing the expansive and often unexpected approach that has defined the gallery’s presence in LA since 2016.

May 15 – Aug 8, 2026

architecture office, Los Angeles

Archival and newly commissioned photographs revisit the living and working spaces of Donald Judd in Marfa and New York, documenting installations captured nearly fifty years apart. Moving between 1977 and 2026, the exhibition reflects Judd’s enduring belief that artwork and architecture were inseparable pursuits.

Centered around photographs by Annabelle d'Huart, the presentation traces spaces including 101 Spring Street, La Mansana de Chinati, and Casa Lujan in Marfa. Seen across decades, the images reveal not only the permanence of Judd’s installations, but the quiet evolution of the environments he carefully shaped around them.

May 9 – May 29, 2026

8010 Melrose Ave

The Pit, Los Angeles

Above Earth, Under The Rays of the Sun presents new ceramic sculptures by Maryam Yousif, continuing the artist’s exploration of memory, migration, and inherited cultural forms. Taking its title from an inscription found in the royal Assyrian tombs at Nimrud, the exhibition moves between ancient artifact and living object, asking what endures when a place is left behind.

Born in Baghdad and raised between Iraq and Canada, Yousif works primarily in clay, creating figurative sculptures that draw from Sumerian votive figures, contemporary folk traditions, and the expressive surfaces of Bay Area ceramics. Her recurring “Habibti” forms carry a sense of devotion and intimacy, reflecting on displacement not only as loss, but as something carried forward through material, memory, and touch.

May 9 – Jun 17, 2026

Museo di Palazzo Grimani, Venice

Set within the Renaissance interiors of Museo di Palazzo Grimani, Amoako Boafo’s first solo exhibition in Italy introduces a new group of paintings shaped in direct response to the architecture and history of the space.

Installed throughout the palazzo’s second floor, the works continue Boafo’s exploration of identity, presence, and style, placing contemporary Black portraiture into conversation with the legacy of Venetian painting. Opening just ahead of the Biennale di Venezia, the exhibition bridges past and present through a vivid, self-assured visual language.

Through Nov 22, 2026

Institute of Contemporary Art, Miami

Perfect Nonsense marks the first US museum survey dedicated to the work of Harmony Korine, tracing a career that has consistently blurred the boundaries between cinema, contemporary art, and popular culture.

Since emerging at nineteen with the screenplay for Kids in 1995, Korine has built a singular body of work that reshaped the language of independent film while pushing into painting, installation, and experimental image-making. Bringing together more than fifty works, the exhibition captures an artist drawn to the fractured, the excessive, and the strangely poetic edges of American culture.

Apr 15 – Oct 4, 2026

Regan Projects, Los Angeles

planchette brings together sculpture and painting by Rachel Harrison, Liz Larner, and Rebecca Morris – the first time the three artists have exhibited together despite their shared impact on contemporary abstraction.

The exhibition takes its title from Larner’s V (planchette) (2013), a blue-black sculptural form that invites viewers to circle and navigate around it. Referencing the séance tool used on Ouija boards, the title points less to symbolism than to the idea of collective movement, intuition, and forms that seem to generate their own strange internal logic. Across the exhibition, painting and sculpture unfold as acts of communication – unstable, physical, and open-ended.

Apr 25 – May 23, 2026

David Kordansky Gallery, Los Angeles

ROYGBIV sees Evan Holloway revisit one of his most recognizable sculptural forms while introducing a new body of work that feels both playful and quietly philosophical. Large-scale aluminum head sculptures – each fitted with a functioning lightbulb for a nose – appear alongside balancing tabletop works composed of movable steel elements resting on ceramic bases.

Part retrospective gesture, part open-ended inquiry, the exhibition reflects Holloway’s ongoing fascination with form, perception, and the strange emotional life objects can accumulate over time. Humorous, awkward, and oddly alive, the works feel less fixed than in conversation – with art history, with viewers, and perhaps even with themselves.

May 16 – Jun 20, 2026

Gagosian, Los Angeles

The first exhibition of work by Frank Gehry since his passing in 2025 brings together a focused selection of sculptures shaped by the architect’s long fascination with animal forms. Realized in collaboration with Gehry’s family and designed by the Gehry studio, the presentation unfolds across a series of playful yet materially complex works.

Among them are the life-size Bear with Us (2014), the striking Untitled (Black Crocodile New York) (2023), and Fish on Fire (2023) – the final fish sculpture Gehry produced in copper. Together, the works reveal another side of his practice: intuitive, sculptural, and driven by the same restless experimentation that defined his architecture.

May 14 – Jun 27, 2026

Sprüth Magers, Los Angeles

10 Years LA! marks a decade of Sprüth Magers in Los Angeles, reflecting on ten years of exhibitions that have brought together major international voices alongside the gallery’s deep ties to the city’s own artistic community.

Spanning both the Wilshire Boulevard gallery and a former Sizzler restaurant nearby, the exhibition unfolds across painting, sculpture, film, and video, tracing the expansive and often unexpected approach that has defined the gallery’s presence in LA since 2016.

May 15 – Aug 8, 2026

architecture office, Los Angeles

Archival and newly commissioned photographs revisit the living and working spaces of Donald Judd in Marfa and New York, documenting installations captured nearly fifty years apart. Moving between 1977 and 2026, the exhibition reflects Judd’s enduring belief that artwork and architecture were inseparable pursuits.

Centered around photographs by Annabelle d'Huart, the presentation traces spaces including 101 Spring Street, La Mansana de Chinati, and Casa Lujan in Marfa. Seen across decades, the images reveal not only the permanence of Judd’s installations, but the quiet evolution of the environments he carefully shaped around them.

May 9 – May 29, 2026

8010 Melrose Ave

The Pit, Los Angeles

Above Earth, Under The Rays of the Sun presents new ceramic sculptures by Maryam Yousif, continuing the artist’s exploration of memory, migration, and inherited cultural forms. Taking its title from an inscription found in the royal Assyrian tombs at Nimrud, the exhibition moves between ancient artifact and living object, asking what endures when a place is left behind.

Born in Baghdad and raised between Iraq and Canada, Yousif works primarily in clay, creating figurative sculptures that draw from Sumerian votive figures, contemporary folk traditions, and the expressive surfaces of Bay Area ceramics. Her recurring “Habibti” forms carry a sense of devotion and intimacy, reflecting on displacement not only as loss, but as something carried forward through material, memory, and touch.

May 9 – Jun 17, 2026

Museo di Palazzo Grimani, Venice

Set within the Renaissance interiors of Museo di Palazzo Grimani, Amoako Boafo’s first solo exhibition in Italy introduces a new group of paintings shaped in direct response to the architecture and history of the space.

Installed throughout the palazzo’s second floor, the works continue Boafo’s exploration of identity, presence, and style, placing contemporary Black portraiture into conversation with the legacy of Venetian painting. Opening just ahead of the Biennale di Venezia, the exhibition bridges past and present through a vivid, self-assured visual language.

Through Nov 22, 2026

Institute of Contemporary Art, Miami

Perfect Nonsense marks the first US museum survey dedicated to the work of Harmony Korine, tracing a career that has consistently blurred the boundaries between cinema, contemporary art, and popular culture.

Since emerging at nineteen with the screenplay for Kids in 1995, Korine has built a singular body of work that reshaped the language of independent film while pushing into painting, installation, and experimental image-making. Bringing together more than fifty works, the exhibition captures an artist drawn to the fractured, the excessive, and the strangely poetic edges of American culture.

Apr 15 – Oct 4, 2026

Regan Projects, Los Angeles

planchette brings together sculpture and painting by Rachel Harrison, Liz Larner, and Rebecca Morris – the first time the three artists have exhibited together despite their shared impact on contemporary abstraction.

The exhibition takes its title from Larner’s V (planchette) (2013), a blue-black sculptural form that invites viewers to circle and navigate around it. Referencing the séance tool used on Ouija boards, the title points less to symbolism than to the idea of collective movement, intuition, and forms that seem to generate their own strange internal logic. Across the exhibition, painting and sculpture unfold as acts of communication – unstable, physical, and open-ended.

Apr 25 – May 23, 2026