Luis De Jesus, Los Angeles

Allá Afuera (Out There) introduces new work by Joshua Nazario Lugo, marking the artist’s first solo exhibition outside Puerto Rico. Developed during a residency in Santa Monica, the presentation brings together recent paintings and sculptures shaped by reflections on identity, memory, and the cultural rhythms of Puerto Rico and its diaspora.

A self-taught, multidisciplinary artist, Nazario Lugo works with an instinctive energy – bold brushwork, tactile materials, and palettes that move between primary tones and the lush greens of tropical landscapes. The result is work that feels both immediate and personal, grounded in lived experience yet open to wider cultural echoes.

Mar 14 – Apr 11, 2026

Regan Projects, Los Angeles

Curtains brings together new drawings and sculptures by Jack Pierson, continuing his long-running exploration of language, nostalgia, and the elusive search for beauty.

At the center of the exhibition are Pierson’s signature word sculptures – phrases assembled from salvaged vintage signage gathered over decades. Arranged into charged fragments such as HOMOS ONLY and PURE BEING, the works hover between humor and existential reflection, their weathered letters carrying a quiet sense of memory, longing, and shared meaning.

Mar 12 – Apr 18, 2026

The Hole, New York

A special solo exhibition by Minneapolis-based Nick Dahlen turns its focus to the quiet theater of daily city life. Known for paintings that hover between observation and imagination, Dahlen captures street corners, neighborhood characters, and small urban details – from a giant pencil jar to a wandering “trash cat” – with the loose immediacy of a sketch.

Drawing on influences that range from Giorgio de Chirico and Fernand Léger to Tarsila do Amaral, his scenes blend surreal atmosphere with geometric clarity. Rendered in muted, retro-tinged palettes reminiscent of 1970s design or Joan Miró, the works evoke a city just outside of time – a moment before phones, when everyday gestures carried their own quiet drama.

Mar13 – Apr 25, 2026

Gagosian, New York

Helen Frankenthaler: The Moment and the Distance surveys four decades of painting by Helen Frankenthaler, bringing together more than twenty of her largest and most ambitious canvases from 1960 to 1992. Organized in collaboration with the Helen Frankenthaler Foundation, the exhibition traces the artist’s continual reinvention of abstraction through monumental scale, sensuous color, and fluid composition.

Its title comes from a 1975 essay by poet Barbara Guest, who described Frankenthaler’s work as balancing “freedom with restraint, extravagance with discipline.” Seen across decades, the paintings reveal an expansive, lyrical practice in which gesture, color, and space unfold with both immediacy and distance.

Apr 30 – Jul 2, 2026

Kunstmuseum Den Haag, The Hague

A major retrospective at the Kunstmuseum Den Haag reflects on four decades of collaboration between photography duo Inez van Lamsweerde and Vinoodh Matadin. Since the early 1990s, the pair have pushed photography into new territory, among the first to harness digital imaging as a creative tool while developing a signature style that blends visual seduction with provocative narrative.

Working fluidly between art and fashion, Inez and Vinoodh have shaped the visual language of contemporary image culture – from editorials for Vogue, The New York Times Magazine, and W Magazine, to campaigns and films for houses including Chanel, Gucci, and Louis Vuitton. Their influence also extends into film and music, with videos created for artists such as Lady Gaga, Björk, and Rihanna.

Mar 21 – Sep 6, 2026

Thaddaeus Ropac, Paris

Glass Slipper marks the first solo exhibition in France by Los Angeles–based Ariana Papademetropoulos. Spanning painting, sculpture, and installation, the presentation centers on an aquarium filled with a shoal of fish, drawing viewers into a dreamlike environment where lush landscapes and psychological interiors quietly collide.

Vintage payphones appear as sculptural elements, inviting visitors to listen in on imagined conversations between the artist and her medium. Meanwhile, Papademetropoulos’s new large-scale paintings – absent of human figures – hum with unseen presences, hovering somewhere between realism and reverie.

Mar 7 – Apr 11, 2026

Luis De Jesus, Los Angeles

Allá Afuera (Out There) introduces new work by Joshua Nazario Lugo, marking the artist’s first solo exhibition outside Puerto Rico. Developed during a residency in Santa Monica, the presentation brings together recent paintings and sculptures shaped by reflections on identity, memory, and the cultural rhythms of Puerto Rico and its diaspora.

A self-taught, multidisciplinary artist, Nazario Lugo works with an instinctive energy – bold brushwork, tactile materials, and palettes that move between primary tones and the lush greens of tropical landscapes. The result is work that feels both immediate and personal, grounded in lived experience yet open to wider cultural echoes.

Mar 14 – Apr 11, 2026

Regan Projects, Los Angeles

Curtains brings together new drawings and sculptures by Jack Pierson, continuing his long-running exploration of language, nostalgia, and the elusive search for beauty.

At the center of the exhibition are Pierson’s signature word sculptures – phrases assembled from salvaged vintage signage gathered over decades. Arranged into charged fragments such as HOMOS ONLY and PURE BEING, the works hover between humor and existential reflection, their weathered letters carrying a quiet sense of memory, longing, and shared meaning.

Mar 12 – Apr 18, 2026

The Hole, New York

A special solo exhibition by Minneapolis-based Nick Dahlen turns its focus to the quiet theater of daily city life. Known for paintings that hover between observation and imagination, Dahlen captures street corners, neighborhood characters, and small urban details – from a giant pencil jar to a wandering “trash cat” – with the loose immediacy of a sketch.

Drawing on influences that range from Giorgio de Chirico and Fernand Léger to Tarsila do Amaral, his scenes blend surreal atmosphere with geometric clarity. Rendered in muted, retro-tinged palettes reminiscent of 1970s design or Joan Miró, the works evoke a city just outside of time – a moment before phones, when everyday gestures carried their own quiet drama.

Mar13 – Apr 25, 2026

Gagosian, New York

Helen Frankenthaler: The Moment and the Distance surveys four decades of painting by Helen Frankenthaler, bringing together more than twenty of her largest and most ambitious canvases from 1960 to 1992. Organized in collaboration with the Helen Frankenthaler Foundation, the exhibition traces the artist’s continual reinvention of abstraction through monumental scale, sensuous color, and fluid composition.

Its title comes from a 1975 essay by poet Barbara Guest, who described Frankenthaler’s work as balancing “freedom with restraint, extravagance with discipline.” Seen across decades, the paintings reveal an expansive, lyrical practice in which gesture, color, and space unfold with both immediacy and distance.

Apr 30 – Jul 2, 2026

Kunstmuseum Den Haag, The Hague

A major retrospective at the Kunstmuseum Den Haag reflects on four decades of collaboration between photography duo Inez van Lamsweerde and Vinoodh Matadin. Since the early 1990s, the pair have pushed photography into new territory, among the first to harness digital imaging as a creative tool while developing a signature style that blends visual seduction with provocative narrative.

Working fluidly between art and fashion, Inez and Vinoodh have shaped the visual language of contemporary image culture – from editorials for Vogue, The New York Times Magazine, and W Magazine, to campaigns and films for houses including Chanel, Gucci, and Louis Vuitton. Their influence also extends into film and music, with videos created for artists such as Lady Gaga, Björk, and Rihanna.

Mar 21 – Sep 6, 2026

Thaddaeus Ropac, Paris

Glass Slipper marks the first solo exhibition in France by Los Angeles–based Ariana Papademetropoulos. Spanning painting, sculpture, and installation, the presentation centers on an aquarium filled with a shoal of fish, drawing viewers into a dreamlike environment where lush landscapes and psychological interiors quietly collide.

Vintage payphones appear as sculptural elements, inviting visitors to listen in on imagined conversations between the artist and her medium. Meanwhile, Papademetropoulos’s new large-scale paintings – absent of human figures – hum with unseen presences, hovering somewhere between realism and reverie.

Mar 7 – Apr 11, 2026