David Zwirner, Los Angeles

Notes from LA brings together paintings and works on paper by Raymond Saunders (1934–2025), marking a return to Los Angeles more than a decade after his last dedicated presentation in the city. Curated by Ebony L. Haynes, the exhibition coincides with his inclusion in Photography and the Black Arts Movement, 1955–1985 at the Getty Center.

Rooted in his years in California, where he lived, worked, and taught, the works reflect Saunders’s distinctive visual language – layered, direct, and deeply informed by both studio practice and pedagogy. For him, teaching and making were inseparable, each shaping a body of work that reads as both personal expression and open-ended inquiry.

Through Apr 25, 2026

David Kordansky, Los Angeles

Love Letters presents new paintings by Hilary Pecis, turning toward the quiet, sustaining moments of everyday life. Known for her vivid still lifes, interiors, and distinctly Californian landscapes, Pecis builds a world where the familiar feels charged with meaning.

Here, scenes of daily routine sit alongside more personal markers – a friend’s studio window, a Bay Area yacht club sign, a collection of race medals – each rendered with her signature saturated palette. Moving fluidly between observation and memory, the works read as small acts of attention, held together by a sense of affection that feels both intimate and expansive.

May 16 – Jun 20, 2026

Canada Gallery, New York

Beautiful Rejects sees Anke Weyer return to her own archive, reworking a cache of unfinished canvases left dormant for over a decade. Rather than discard them, Weyer paints directly over these earlier efforts, folding past and present into a single surface.

The result is both reflective and forward-moving – a revisiting of forms, colors, and instincts that trace the evolution of her practice. What emerges is less a resolution than a rediscovery: paintings that carry the weight of time while remaining open, intuitive, and full of energy.

Apr 3  – May 9, 2026

Modern Art, Paris

Problems and other stories presents new work by Collier Schorr, marking her first exhibition in Paris. Bringing together photographs, collages, drawings, notes, and video made over the past seven years, the show continues Schorr’s ongoing exploration of gender, sexuality, and identity.

Across four decades, Schorr has consistently unsettled fixed ideas of desire, masculinity, and nationhood. Here, her focus turns toward kinship, embodiment, and the spaces people inhabit – asking who images are for, and how they hold the complexities of lived experience.

Mar 5 – Apr 4, 2026

Pace Gallery, New York

Chuck Close: On Paper brings together a wide-ranging selection of works by Chuck Close, from large-scale watercolors and Polaroids to drawings, maquettes, and prints, highlighting the central role paper played across his practice.

Since the 1970s, Close became known for his rigorous approach to portraiture, translating photographic images into meticulously gridded compositions. Working against the prevailing currents of Minimalism, Pop art, and abstraction, he reasserted portraiture as a conceptual field – methodical, exacting, and quietly radical.

Mar 12 – Apr 25, 2026

Gagosian, New York

Painting with Scattered Brushstrokes revisits the work of Roy Lichtenstein, bringing together key paintings, sculpture, and works on paper from the 1970s and ’80s drawn from the Lichtenstein Family Collection. Centered on the brushstroke as both image and idea, the exhibition traces one of the artist’s most iconic motifs.

First explored in the mid-1960s, Lichtenstein’s brushstrokes transform the expressive gesture of painting into something precise, graphic, and self-aware. Flattened into bold contours and blocks of color, they playfully echo the spontaneity of Abstract Expressionism while questioning notions of authorship, style, and originality.

Mar 19 – Apr 25, 2026

David Zwirner, Los Angeles

Notes from LA brings together paintings and works on paper by Raymond Saunders (1934–2025), marking a return to Los Angeles more than a decade after his last dedicated presentation in the city. Curated by Ebony L. Haynes, the exhibition coincides with his inclusion in Photography and the Black Arts Movement, 1955–1985 at the Getty Center.

Rooted in his years in California, where he lived, worked, and taught, the works reflect Saunders’s distinctive visual language – layered, direct, and deeply informed by both studio practice and pedagogy. For him, teaching and making were inseparable, each shaping a body of work that reads as both personal expression and open-ended inquiry.

Through Apr 25, 2026

David Kordansky, Los Angeles

Love Letters presents new paintings by Hilary Pecis, turning toward the quiet, sustaining moments of everyday life. Known for her vivid still lifes, interiors, and distinctly Californian landscapes, Pecis builds a world where the familiar feels charged with meaning.

Here, scenes of daily routine sit alongside more personal markers – a friend’s studio window, a Bay Area yacht club sign, a collection of race medals – each rendered with her signature saturated palette. Moving fluidly between observation and memory, the works read as small acts of attention, held together by a sense of affection that feels both intimate and expansive.

May 16 – Jun 20, 2026

Canada Gallery, New York

Beautiful Rejects sees Anke Weyer return to her own archive, reworking a cache of unfinished canvases left dormant for over a decade. Rather than discard them, Weyer paints directly over these earlier efforts, folding past and present into a single surface.

The result is both reflective and forward-moving – a revisiting of forms, colors, and instincts that trace the evolution of her practice. What emerges is less a resolution than a rediscovery: paintings that carry the weight of time while remaining open, intuitive, and full of energy.

Apr 3  – May 9, 2026

Modern Art, Paris

Problems and other stories presents new work by Collier Schorr, marking her first exhibition in Paris. Bringing together photographs, collages, drawings, notes, and video made over the past seven years, the show continues Schorr’s ongoing exploration of gender, sexuality, and identity.

Across four decades, Schorr has consistently unsettled fixed ideas of desire, masculinity, and nationhood. Here, her focus turns toward kinship, embodiment, and the spaces people inhabit – asking who images are for, and how they hold the complexities of lived experience.

Mar 5 – Apr 4, 2026

Pace Gallery, New York

Chuck Close: On Paper brings together a wide-ranging selection of works by Chuck Close, from large-scale watercolors and Polaroids to drawings, maquettes, and prints, highlighting the central role paper played across his practice.

Since the 1970s, Close became known for his rigorous approach to portraiture, translating photographic images into meticulously gridded compositions. Working against the prevailing currents of Minimalism, Pop art, and abstraction, he reasserted portraiture as a conceptual field – methodical, exacting, and quietly radical.

Mar 12 – Apr 25, 2026

Gagosian, New York

Painting with Scattered Brushstrokes revisits the work of Roy Lichtenstein, bringing together key paintings, sculpture, and works on paper from the 1970s and ’80s drawn from the Lichtenstein Family Collection. Centered on the brushstroke as both image and idea, the exhibition traces one of the artist’s most iconic motifs.

First explored in the mid-1960s, Lichtenstein’s brushstrokes transform the expressive gesture of painting into something precise, graphic, and self-aware. Flattened into bold contours and blocks of color, they playfully echo the spontaneity of Abstract Expressionism while questioning notions of authorship, style, and originality.

Mar 19 – Apr 25, 2026