New Conversation with Hyungi Park
Karma, New York
In the quietly exacting paintings of Dike Blair, time seems to pause. Windowsills, airport lounges, elevators, and construction sites unfold as tightly framed moments, with recent oils developed over the past two years turning attention toward surfaces, thresholds, and the act of looking itself.
Rather than settle into a single narrative, the works build meaning through repetition and subtle variation – drinks, flowers, screens, and architectural edges echo across compositions, while rectangles stack within rectangles. Interior spaces dominate, pared back and solitary, with art-historical murmurs from Piet Mondrian to Pierre Bonnard. Even a paused frame from La Dolce Vita by Federico Fellini appears as another image-within-an-image – a reminder that for Blair, painting is as much about perception as it is about place.
Feb 19 – Mar 28, 2026
NOON Gallery, Los Angeles
Where there is Great Love there are Always Great Miracles brings together sculptures, paintings, and drawings by David Shull, marking the artist’s third exhibition with the gallery. Begun in 2002 and developed over two decades, the works reflect Shull’s sustained interest in sentimentality, intimacy, and the quiet sincerity of everyday materials.
Balancing tenderness with a subtle wit, familiar objects are recast as vessels for memory and emotional charge. The exhibition is accompanied by a book created with Jack Doroshow, whose handwritten contributions extend the project into a narrative shaped by friendship, exchange, and shared sensibility.
Feb 20 – Apr 4, 2026
951 Chung King RoadLos Angeles, CA 90012
Jeffrey Deitch, Los Angeles
Two previously unseen bodies of photographic work by Paige Powell offer a rare, close-range view of her friend and longtime associate Andy Warhol. Private Andy: Religious Services gathers intimate photographs and ephemera from the mid-1980s, revealing a quieter, deeply human dimension of Warhol alongside the social and spiritual circles he moved through.
Drawn from Powell’s personal archive, the exhibition centers on two series – PRIVATE ANDY, Double Exposures (1987) and Religious Services, Volunteering at The Episcopal Church of Heavenly Rest, New York City (1986). Together, they trace a portrait rarely seen: less icon, more inner life.
Feb 20 – Apr 4, 2026
Jeffrey Deitch, Los Angeles
The Being introduces a new immersive installation by Italian-born Marco Perego, whose multidisciplinary practice spans video, installation, and drawing. Built from a network of sensory elements – screen, sound, scent, and responsive architectural surfaces – the work behaves less like an object and more like a living system. Observing and reacting to each visitor, the installation captures facial expressions, shifts with emotional states, and pulses in rhythm with real-time solar data. When the space is empty, it intensifies; when viewers enter and attune to one another, image, light, and even the scent of petrichor emerge. Suspended between cosmic time and the immediacy of the body, The Being gestures toward a shared consciousness – one that quietly exceeds the limits of a single human life.
Feb 20 – Apr 4, 2026
Pace Gallery, Tokyo
Robert Nava brings his first solo exhibition in Japan to Tokyo this spring, unveiling new paintings and works on paper created between 2023 and 2026. The presentation draws viewers into fantastical terrains where beauty and chaos coexist – and where the boundless logic of childhood imagination quietly resurfaces.
Populated by angels, witches, hybrid creatures, and otherworldly presences, Nava’s compositions pulse with electric color while carrying an undercurrent of philosophical weight. At once playful and existential, the works resist easy categorization, landing somewhere between figuration and abstraction with a raw, intuitive energy that feels both inviting and faintly disquieting.
Feb 19 – Apr 1, 2026
Pace Gallery, Los Angeles
New paintings by Los Angeles–based Lauren Quin debut this winter, marking her first solo exhibition with Pace since joining the gallery in 2025. Created over the past eighteen months, the work signals a deliberate rupture in Quin’s practice – a move away from chromatic excess toward what she describes as a “detox of color.” A fully illustrated catalogue will accompany the exhibition, featuring a new text by Ariana Reines.
At a glance, the canvases hover near monochrome, but closer looking reveals dense tonal blacks and greys edged by fugitive traces of color – hues that linger like afterimages rather than declarations. Familiar symbols dissolve into these atmospheres, suggesting a quieter, more restrained language in which color is less an event than a memory.
Jan 31 – Mar 28, 2026
Karma, New York
In the quietly exacting paintings of Dike Blair, time seems to pause. Windowsills, airport lounges, elevators, and construction sites unfold as tightly framed moments, with recent oils developed over the past two years turning attention toward surfaces, thresholds, and the act of looking itself.
Rather than settle into a single narrative, the works build meaning through repetition and subtle variation – drinks, flowers, screens, and architectural edges echo across compositions, while rectangles stack within rectangles. Interior spaces dominate, pared back and solitary, with art-historical murmurs from Piet Mondrian to Pierre Bonnard. Even a paused frame from La Dolce Vita by Federico Fellini appears as another image-within-an-image – a reminder that for Blair, painting is as much about perception as it is about place.
Feb 19 – Mar 28, 2026
NOON Gallery, Los Angeles
Where there is Great Love there are Always Great Miracles brings together sculptures, paintings, and drawings by David Shull, marking the artist’s third exhibition with the gallery. Begun in 2002 and developed over two decades, the works reflect Shull’s sustained interest in sentimentality, intimacy, and the quiet sincerity of everyday materials.
Balancing tenderness with a subtle wit, familiar objects are recast as vessels for memory and emotional charge. The exhibition is accompanied by a book created with Jack Doroshow, whose handwritten contributions extend the project into a narrative shaped by friendship, exchange, and shared sensibility.
Feb 20 – Apr 4, 2026
951 Chung King RoadLos Angeles, CA 90012
Jeffrey Deitch, Los Angeles
Two previously unseen bodies of photographic work by Paige Powell offer a rare, close-range view of her friend and longtime associate Andy Warhol. Private Andy: Religious Services gathers intimate photographs and ephemera from the mid-1980s, revealing a quieter, deeply human dimension of Warhol alongside the social and spiritual circles he moved through.
Drawn from Powell’s personal archive, the exhibition centers on two series – PRIVATE ANDY, Double Exposures (1987) and Religious Services, Volunteering at The Episcopal Church of Heavenly Rest, New York City (1986). Together, they trace a portrait rarely seen: less icon, more inner life.
Feb 20 – Apr 4, 2026
Jeffrey Deitch, Los Angeles
The Being introduces a new immersive installation by Italian-born Marco Perego, whose multidisciplinary practice spans video, installation, and drawing. Built from a network of sensory elements – screen, sound, scent, and responsive architectural surfaces – the work behaves less like an object and more like a living system. Observing and reacting to each visitor, the installation captures facial expressions, shifts with emotional states, and pulses in rhythm with real-time solar data. When the space is empty, it intensifies; when viewers enter and attune to one another, image, light, and even the scent of petrichor emerge. Suspended between cosmic time and the immediacy of the body, The Being gestures toward a shared consciousness – one that quietly exceeds the limits of a single human life.
Feb 20 – Apr 4, 2026
Pace Gallery, Tokyo
Robert Nava brings his first solo exhibition in Japan to Tokyo this spring, unveiling new paintings and works on paper created between 2023 and 2026. The presentation draws viewers into fantastical terrains where beauty and chaos coexist – and where the boundless logic of childhood imagination quietly resurfaces.
Populated by angels, witches, hybrid creatures, and otherworldly presences, Nava’s compositions pulse with electric color while carrying an undercurrent of philosophical weight. At once playful and existential, the works resist easy categorization, landing somewhere between figuration and abstraction with a raw, intuitive energy that feels both inviting and faintly disquieting.
Feb 19 – Apr 1, 2026
Pace Gallery, Los Angeles
New paintings by Los Angeles–based Lauren Quin debut this winter, marking her first solo exhibition with Pace since joining the gallery in 2025. Created over the past eighteen months, the work signals a deliberate rupture in Quin’s practice – a move away from chromatic excess toward what she describes as a “detox of color.” A fully illustrated catalogue will accompany the exhibition, featuring a new text by Ariana Reines.
At a glance, the canvases hover near monochrome, but closer looking reveals dense tonal blacks and greys edged by fugitive traces of color – hues that linger like afterimages rather than declarations. Familiar symbols dissolve into these atmospheres, suggesting a quieter, more restrained language in which color is less an event than a memory.
Jan 31 – Mar 28, 2026
